Elizabeth Blair

Elizabeth Blair is a Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

If you're into "slow food" — the ethical response to "fast food" — you probably want to know how the animals were treated or whether pesticides were used on your vegetables. Now, the "slow fashion" movement is in the same spirit.

"It's about understanding the process or the origins of how things are made," says Soraya Darabi, co-founder of the clothing line Zady. "Where our products come from, how they're constructed and by whom. Slow fashion is really indicative of a movement of people who want to literally slow down."

What makes a great teacher great? That's the question at the heart of 50 Great Teachers, from the NPR Ed Team.

Diana Agrest believes architecture is so much more than a marriage of form and function. For more than four decades, she's been trying to get her students to believe that too.

Something rare is happening in the world of ballet: At the Kennedy Center in Washington, D.C., two African-American dancers will be the leads in The Washington Ballet's production of Swan Lake. Misty Copeland, soloist with American Ballet Theatre, will dance the dual role of Odette and Odile, while Brooklyn Mack of The Washington Ballet will dance Prince Siegfried.

Peabody and Emmy Award winning filmmaker Bruce Sinofsky has died at age 58.

Sinofsky and his longtime co-director, Joe Berlinger, made such acclaimed documentaries as Some Kind of Monster, about the heavy metal band Metallica and Brother's Keeper, about four brothers in rural upstate New York. They are perhaps best known for Paradise Lost, a trilogy of films about three teenagers convicted of killing three little boys in West Memphis, Ark.

"Slow and steady wins the race."

"What's right for one may be wrong for another."

"Treat others the way you'd like to be treated."

Morals have long been the conclusion of fables and fairy tales aimed at kids. And today's TV shows and movies are no different — they often weave lessons for the younger generation into their narratives. But do children actually absorb these messages, or do these endings just help parents feel better about the media their kids consume?

Despite a 2011 firebombing at the Charlie Hebdo offices, and continuing threats and heightened security around the building, according to its editor-in-chief, the staff of the weekly never slowed down.

Red means stop; green means go. You live in a red or a blue state. You feel green with envy, or you're tickled pink. Colors alert, provoke, attract, divide and unite us.

Thinkers from Plato to Einstein to a new cottage industry of color psychologists have studied the importance of color in our daily lives. But, as Joann and Arielle Eckstut write in their book The Secret Language of Color: "Anyone who claims to be an expert on color is a liar."

Sometimes museums get in trouble. Deep trouble. Not because they damage art, or let it get stolen ... but because they sell it. The Delaware Art Museum is the latest target of the art world's ire — for selling one painting from its collection to try and tackle a debt, and for revelations in the past few days that two more paintings are up for sale.

Like it or not, television has the power to shape our perceptions of the world. So what do sitcoms, dramas and reality TV say about poor people?

In life and on TV, "poor" is relative. Take breakfast: For Honey Boo Boo's family, it's microwaved sausage and pancake sandwiches; for children in The Wire's Baltimore ghetto, it's a juice box and a bag of chips before school; and on Good Times, set in the Chicago projects back in the 1970s, it was a healthier choice: oatmeal.

"Chug, chug, chug. Puff, puff, puff. Ding-dong, ding-dong."

The beloved tale of the little blue engine — who helps bring a broken-down train of toys to the good little boys and girls on the other side of the mountain — has been chugging along for a very long time. But despite the locomotive's optimistic refrain — I think I can, I think I can, I think I can — the story has a somewhat checkered past: In its tracks, The Little Engine has left both a legal battle and a debate over whether the little blue engine is male or female.

It would have been the biggest deal the pharmaceutical industry has seen in more than a decade. But for now, it's off the table.

Pfizer has withdrawn its offer to buy British drug company AstraZeneca for about $119 billion.

American pharmaceutical giant Pfizer, which makes Lipitor and Viagra, has been circling its smaller rival AstraZeneca for months.

AstraZeneca, which makes Nexium and Crestor, has rejected every offer saying Pfizer undervalues the company, and that it wants to remain independent.

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This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block. Now we're going to remember the man who was known as the father of G.I. Joe. Donald Levine was a toy industry executive in the early 1960s, when the iconic action figure stormed playrooms across the country. Levine died of cancer late last week. He was 86. NPR's Elizabeth Blair does this appreciation.

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The coveted spot held by David Letterman for 21 years will go to Stephen Colbert. CBS made the announcement today. As NPR's Elizabeth Blair reports, diehard fans of the Emmy Award-winning "Colbert Report" are mourning this news and others are excited to see what the real Colbert has in store.

ELIZABETH BLAIR, BYLINE: First, Stephen Colbert has said he will not be doing "The Late Show" in character, meaning the over-the-top, right-wing narcissistic character he created for Comedy Central.

The CBS legal drama The Good Wife centers on smart, attractive Chicago lawyer Alicia Florrick. She's "the good wife" because she stood by her politician husband when he cheated on her.

But the show's most compelling story line has always been between Alicia and another lawyer, Will Gardner. And if you don't want to know what happened in that storyline last night, stop reading NOW.

No, Really: Major Spoiler Ahead

The new head of the Smithsonian Institution was announced Monday. David Skorton will leave his job as president of Cornell University to become the institution's 13th secretary since its founding in 1846.

Skorton becomes the first physician to lead the Smithsonian. He's a board-certified cardiologist and amateur jazz musician. Most importantly for the Smithsonian, he's a skilled fundraiser. Skorton led a team that raised $5 billion during his eight years at Cornell.

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The Lego Movie opened last night in theaters across the country. It's latest example of the magic of animation, filmmakers who bring plastic to life, make animals talk and send toys singing and dancing across a big screen. But animators also love to hurl our most beloved characters over cliffs. They blow them up with dynamite, flatten them with speeding trains. Seconds later, they pop back up and dust themselves off.

Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

Detroit Institute of Arts

  Can wealthy art lovers help save Detroit's pension funds — and one of its museums?

When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.

Federal bureaucracies aren't the only ones scaling back operations during the government shutdown. It's also meant that kids couldn't take field trips to the Smithsonian.

In fact most of the popular Washington attractions funded by the government are closed. That includes the Smithsonian's 19 museums and the National Zoo, plus Ford's Theatre and the National Gallery of Art.

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I don't know about you, but I'm a little troubled when I hear about people who watch multiple screens. You know what I'm talking about. Maybe you're watching a movie at home while live tweeting, or while keeping track at a ballgame. At least movie theaters are a sacred space, immune to these changes.

One of the surprise movie hits this past weekend was almost entirely in Spanish. Instructions Not Included made an enormous amount of money per screen, more than $22,000, playing in fewer than 350 theaters. The boys in One Direction had the number one film, but they pulled in less than $6000 per screen. That's a huge victory for star Eugenio Derbez, a household name in Mexico, and for Pantelion films, which has been trying to find a Spanish-language hit in the U.S. film market for a few years now.

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