Eric Deggans

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For Star Trek's George Takei, it was one of the worst predictions he ever made, and one of the best strokes of luck in his life: Takei, known to fans worldwide as helmsman Hikaru Sulu, originally thought the show would last only one season.

"When we were shooting the pilot, Jimmy Doohan [who played engineer Montgomery "Scotty" Scott] said to me, 'Well, George, what do you think about this? What kind of run do you think we'll have?'" says Takei. "And I said, 'I smell quality. And that means we're in trouble.' "

Constance Zimmer has built a long career playing tough, unsentimental women, including a shady operative on Marvel's Agents of S.H.I.E.L.D. and a hard-nosed journalist on Netflix's House of Cards.

And the role which earned Zimmer her first Emmy nomination this year — reality TV producer Quinn King on Lifetime's UnREAL — could be TV's most caustic villain.

So it's a little surprising that when you ask the actress how she feels about the meaning of her nomination, she almost cries.

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HBO's The Night Of, which premiered on Sunday, is a gripping, complex drama about crime and justice — and its arrival could not be better-timed. The eight-part series looks at how a criminal justice bureaucracy — filled with people who are just doing their jobs — trundles along on such dysfunction that truth and fairness are often the first casualties.

(Be warned, intrepid reader: This story contains loads of spoilers regarding every episode from this season's run of Game of Thrones, including Sunday's season finale.)

This was the season that Game of Thrones seriously changed its game.

Nowhere was that more evident than in Sunday's season finale, the last of 10 episodes that pulled together far-flung storylines and characters spread across the show's mythical seven kingdoms — and beyond.

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Doug Redler came to the life almost by accident. He took what he thought would be a short break from writing for Billboard magazine to help out a guitarist friend who was touring with Roxy Music frontman Bryan Ferry.

But in the three decades or so since that first outing, Redler has built a long resume as a roadie – he prefers the term "guitar technician" — working with the Black Crowes, the B-52s, Hall & Oates, Peter Gabriel, Paul Simon, Slash and The Dixie Chicks.

There is a moment, a little ways into tonight's first episode of the Oprah Winfrey Network's new drama, Greenleaf, which sums up all the things that work — and don't — in this ambitious nighttime soap.

Merle Dandridge plays the show's heroine, Grace Greenleaf. Her father, Bishop James Greenleaf, and mother, Lady Mae Greenleaf, founded a powerful, predominantly black megachurch in Memphis, Tenn., where she preached as a child. After 20 years away from home, she has come back — for the funeral of her sister Faith, who killed herself.

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Summer is always a weird time for the TV industry.

These days, in a #PeakTV world where hundreds of scripted shows air every year, there is no downtime. Which means viewers will see a dizzying number of new and returning TV shows this summer on broadcast, cable and online — close to 100 series, by my count.

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"Top Gear" is more than just a show about fast cars and funny adventures. It is a blockbuster for the BBC. Tonight, the show returns to BBC America revamped with new hosts. Here's NPR TV critic Eric Deggans on its chances for success.

From the moment you hear Laurence Fishburne's mesmerizing opening narration, intoned over sweeping visuals of a lush African forest, it's obvious History's new Roots miniseries has spared no expense to reinvent a TV classic.

But that also begs the question: Why do this at all? Why does the world need a new version of Roots?

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Netflix debuts its very first talk show today, Chelsea Handler's, "Chelsea." The comic tells NPR's TV critic Eric Deggans her new series is an attempt to break every rule of television talk shows.

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