Kenneth Turan

Kenneth Turan is the film critic for the Los Angeles Times and NPR's Morning Edition, as well as the director of the Los Angeles Times Book Prizes. He has been a staff writer for the Washington Post and TV Guide, and served as the Times' book review editor.

A graduate of Swarthmore College and Columbia University's Graduate School of Journalism, he is the co-author of Call Me Anna: The Autobiography of Patty Duke. He teaches film reviewing and non-fiction writing at USC and is on the board of directors of the National Yiddish Book Center. His most recent books are the University of California Press' Sundance to Sarajevo: Film Festivals and the World They Made and Never Coming To A Theater Near You, published by Public Affairs Press.

A new film called Shame arrives in theaters with several honors, including the best actor award from the Venice Film Festival. It also arrives with a rare NC-17 rating. Michael Fassbender plays Brandon, a New Yorker who's addicted to sex.

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RENEE MONTAGNE, HOST:

And it is always fun to be in the audience for Susan's cranberry relish sequels. Kenneth Turan says there's a sequel opening in theaters today that's not as much fun as the first. Five years ago "Happy Feet" won the Oscar for best animated feature. Now the penguins are back.

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STEVE INSKEEP, HOST:

And let's talk now about a man who served his country out of uniform for generations. J. Edgar Hoover created the Federal Bureau of Investigation as we know it today. In his lifetime, he built up an image as a hero. His career went from the end of World War I to the 1970s. Since death in 1972, many have reevaluated Hoover as a menace. Now, Hoover is the subject of a movie in which he is played by Leonardo DiCaprio, in a film directed by Clint Eastwood. Kenneth Turan has a review.

Margin Call Review

Oct 21, 2011

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RENEE MONTAGNE, host: The global financial crisis of 2008 has a lot of dramatic potential. It propelled the Oscar-winning documentary "Inside Job" and HBO's movie "Too Big To Fail." Now comes "Margin Call," in theaters this weekend. Kenneth Turan has a review.

KENNETH TURAN: "Margin Call" brings us into the inner sanctum of a top Wall Street investment banking firm in peril. The film opens on what everyone in the firm thinks – erroneously, as it turns out - will be the worst part of their day. A team from human resources arrives intent on terminating folks.

As long as daughters pout when fathers proclaim, "I don't want you to see that boy," Footloose will endure. As long as kids want to dance and Hollywood wants to profit from that passion, it will do more than endure. It will be remade.

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