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Nate Chinen

Note: NPR's First Listen audio comes down after the album is released.


A continuity and a break: That's the history of The Bad Plus in a nutshell. An acoustic piano trio with the combustion properties of a post-punk band, it emerged in the early 2000s to an uproar — its surging attack and shrewd repertoire were framed as a radical split from the jazz tradition. Gradually a more perceptive view emerged, one that acknowledged where the band was really coming from.

Miguel Zenón was 12 when he first experienced the devastation of a major hurricane in his homeland, Puerto Rico. That was Hugo, which hit as a Category 3 in 1989, and drove nearly 30,000 residents from their homes.

There's an emblematic photograph of Herbie Hancock on the back cover of his album Sunlight, which he began recording 40 years ago this month. He's depicted against a red backdrop with a Sennheiser vocoder headset on his cranium, which is bowed in deep focus.

There's an emblematic photograph of Herbie Hancock on the back cover of his album Sunlight, which he began recording 40 years ago this month. He's depicted against a red backdrop with a Sennheiser vocoder headset on his cranium, which is bowed in deep focus.

Almost exactly 30 years ago, guitarist John Scofield recorded an album he evocatively titled Loud Jazz. Not quite a decade later, he made one called Quiet. Both albums were statements of intent, widely embraced and justly acclaimed. And despite the obvious differences between the two, both were genuine expressions of Scofield's musical personality, which has always been more flexible than those extreme dynamic markings would seem to suggest.